In
Part I we learned about Erik and his family. In
Part II we learned that creating cartoons isn’t all fun and games… well to us anyway, it actually seems like fun and games for him. In Part III, we learn a little more about the man behind the sinister grin and his future plans of world domination.
What is something about you that would surprise most people?
That I am who I am. I actually keep pretty quiet about what I do, despite how much of a showman I appear to be on my websites and in my work. In reality, odds are that you probably wouldn’t know I’m in the same room as you unless somebody pointed me out (although, if you slip me a drink or two, or start up a conversation with me, that changes right away…).
Also, at one point, I was studying to be a serious photo-realistic Illustrator. I was inspired by the works of Wayne Douglas Barlowe, Boris Vlajello, and Frank Frazetta/Ken Kelly, and wanted to work as a Cover Illustrator/Sci-Fi Illustrator. However, it was in college that I had learned to really embrace Cartooning.
Although at the time, making the decision to give up Illustration to pursue Cartooning as a career was a very tough one to make. But my folks and my friends all played a crucial role in this decision, because all of them encouraged me to follow my dreams, and not a paycheck.
Please understand that the reason for my hesitation was because the world of comics was a much different world, back then. The current comics market is nothing like the comics market of ten years ago. Ten years ago, men in tights (complete with bulging muscles and horrid constipation) dominated the market, and work like mine was considered “fringe” and “underground” at best. We were the zerox copies nobody was buying at the comic shops.
Back then, Cartooning was considered a “low art”, and was thought of as disposable at best. The “high arts” of the time were Illustration and Animation. Illustration, by far, was the highest, as Illustrators were the best trained, the best paid, and most lauded. Animators were the runners up, and they were used for everything from commercials, to movies, to children’s cartoons. Then came Designers and Computer Animators, followed by Fine Artists, Sculptors, and Photographers, then Interior Designers, and finally Cartoonists… dead last. We were the low men and women on the artistic totem pole.
However, time has a funny way of changing things. Thanks to stock illustration & photography, overseas animation, CAD, rampant globalization, and in-house designers, the fields of Animation and Illustration, two fields that were the pillars of the industry for nearly a hundred years, were completely decimated in less than 3.
This left a rather large power vacuum in the art world, which Cartooning merrily filled up.
Now, ten years later, CARTOONING is considered THE high art. There are even several museums dedicated to it, and more art galleries than I can count (and I can count pretty high). And the ironic thing is my work, which was once considered underground, is now mainstream!
It’s absolutely amazing to me now how, looking back after all of these years later, things have worked out rather beautifully. Because if I had gone with the “sure bet”, then I’d probably be bankrupt and living under a bridge right about now. The saying is true: “He who dares, wins.”
What do you hope to be doing in 10 years?
Breathing oxygen and moving about on my own two legs, under my own free will.
Jokes aside, I really hope that I become a serious creative force in the field of entertainment, and that my talent is recognized on a global scale. I also hope that in ten years time, people learn to look at American Cartoonists the same way that they would look at a rock musician, or a playwright. It’s already beginning to happen (Scott Pilgrim, anyone?) and I just hope that public awareness and acceptance of the form, and those who practice it, continues to grow. I feel that it will because we’ve come a long way since Krazy Kat, Gasoline Alley, and the Katzenjammer Kids.
Please include anything you would like our readers to know about yourself that we failed to ask.
What? Besides my mutant healing ability, the fact that my bones are laced with pure Adamantium, or that I can’t be killed by conventional means? Nothing much, really. I just love doing what I do and I hope that as time marches on my work and the medium I work in continues to grow in both quantity and quality.
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